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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

 

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GIOTTO di Bondone Lamentation over the Dead Christ oil painting

Painting ID::  30389

X 
 

GIOTTO di Bondone
Lamentation over the Dead Christ
mk68 Fresco Padua Arena Chapel c.1306 Italy
   
   
     

 

 

GIOTTO di Bondone Madonna in Majesty oil painting

Painting ID::  30392

X 
 

GIOTTO di Bondone
Madonna in Majesty
mk68 Tempera on wood Florence,Uffizi Early Italian.
   
   
     

 

 

GIOTTO di Bondone Lamentation over the Dead CHrist oil painting

Painting ID::  30947

X 
 

GIOTTO di Bondone
Lamentation over the Dead CHrist
mk68 c.1306
   
   
     

 

 

GIOTTO di Bondone Madonna in Maesta oil painting

Painting ID::  33243

X 
 

GIOTTO di Bondone
Madonna in Maesta
mk83 c.1310
   
   
     

 

 

GIOTTO di Bondone The Devils Cast our of Arezzo oil painting

Painting ID::  33297

X 
 

GIOTTO di Bondone
The Devils Cast our of Arezzo
mk86 c.1296-1297 Fresco Assisi San Francesco Upper Church
   
   
     

 

 

GIOTTO di Bondone Crucifixion oil painting

Painting ID::  33298

X 
 

GIOTTO di Bondone
Crucifixion
mk86 1303-1305 Fresco Padua Arena Chapel
   
   
     

 

 

GIOTTO di Bondone The Marriage Procession of the Virgin oil painting

Painting ID::  33299

X 
 

GIOTTO di Bondone
The Marriage Procession of the Virgin
mk86 1303-1305 Fresco
   
   
     

 

 

GIOTTO di Bondone Enthroned Madonna with Saints oil painting

Painting ID::  33308

X 
 

GIOTTO di Bondone
Enthroned Madonna with Saints
mk86 c.1305-1310 Tempera on wood 325x204cm Florence,Galleria degli Uffizi
   
   
     

 

 

GIOTTO di Bondone Joachim Takes Refuge in the Wilderness oil painting

Painting ID::  33309

X 
 

GIOTTO di Bondone
Joachim Takes Refuge in the Wilderness
mk86 c.1303-1305 Fresco. c.185x200cm Padua,Arena Chapel
   
   
     

 

 

GIOTTO di Bondone Anna and Joachim Meet at the Golden Gate oil painting

Painting ID::  33310

X 
 

GIOTTO di Bondone
Anna and Joachim Meet at the Golden Gate
mk86 1303-1305 Fresco, c.185x200cm Padua,Arena Chapel
   
   
     

 

 

GIOTTO di Bondone The Lamentation of Christ oil painting

Painting ID::  33311

X 
 

GIOTTO di Bondone
The Lamentation of Christ
mk86 1303-1305 Fresco 185x200cm Padua,Arena Chapel
   
   
     

 

 

GIOTTO di Bondone St Francis Giving his Cloak to a Poor Man oil painting

Painting ID::  33312

X 
 

GIOTTO di Bondone
St Francis Giving his Cloak to a Poor Man
mk86 between 1296 and 1299 Fresco 270x230cm
   
   
     

 

 

GIOTTO di Bondone Joachims Traum oil painting

Painting ID::  34384

X 
 

GIOTTO di Bondone
Joachims Traum
mk92 1304-1306 Padua,Arenakapelle
   
   
     

 

 

GIOTTO di Bondone Throning God mother with the child oil painting

Painting ID::  38431

X 
 

GIOTTO di Bondone
Throning God mother with the child
mk137 1310 Tempera on wood chalkboard 325x204cm Galleria degli Uffizi, Florence
   
   
     

 

 

GIOTTO di Bondone The Demons are Cast out of Arezzo oil painting

Painting ID::  40126

X 
 

GIOTTO di Bondone
The Demons are Cast out of Arezzo
mk156 1296-1297 Fresco Upper Church of San Francesco
   
   
     

 

 

GIOTTO di Bondone Legend of St Francis St Francis Preaching before Pope Honorius Ill oil painting

Painting ID::  40127

X 
 

GIOTTO di Bondone
Legend of St Francis St Francis Preaching before Pope Honorius Ill
mk156 1296-1297 Fresco
   
   
     

 

 

GIOTTO di Bondone Flight into Egypt oil painting

Painting ID::  40128

X 
 

GIOTTO di Bondone
Flight into Egypt
mk156 200x185cm 1303-05
   
   
     

 

 

GIOTTO di Bondone Meeting at the Golden Gate oil painting

Painting ID::  40129

X 
 

GIOTTO di Bondone
Meeting at the Golden Gate
mk156 1303-05 Fresco Cappella Scrovegni
   
   
     

 

 

GIOTTO di Bondone Presentation of the Virgin in the Temple oil painting

Painting ID::  40130

X 
 

GIOTTO di Bondone
Presentation of the Virgin in the Temple
mk156 1303-05 Fresco Cappella degli Scrovegni Dell- Arena Padua
   
   
     

 

 

GIOTTO di Bondone Ognissanti Madonna oil painting

Painting ID::  40133

X 
 

GIOTTO di Bondone
Ognissanti Madonna
mk156 1305-10 Tempera on panel 325x204cm Galleria degli Uffizi,Florence
   
   
     

 

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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.